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Dub-Stuy RS 02 by Burro Banton, Rider Shafique, Shanti D, DJ Madd

  • Label: Dub-Stuy Records
  • Title: Kunta Kinte Riddim 2017
  • Reference: Dub-Stuy RS 02
  • Format: 12"
  • Country: US
  • Categories: Dub / ragga,  Bass dubstep grime, 
  • Style: Dub, Dancehall, Bass
  • Weight: 0.24
  • Release date: 04/22/2017
  • Catalog entry: 04/22/2017
  • Average rating:

12.79 € (TTC)

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Dub-Stuy RS 02 review

Dub-Stuy’s riddim series returns with a fresh take on a Jah Shaka classic

Dub-Stuy returns with the second installment of their riddim series in which the Brooklyn-based collective pays homage to the tradition of Jamaican dancehall riddims with a fresh modern twist and versions from an international line-up of vocalists.

Following an update of King Jammy’s Punanny riddim on the first release of the series, Dub-Stuy is taking on yet another classic. This time, DJ Madd brings the classic Kunta Kinte riddim into the 21st century with rolling drums, floating percussion, and weighty bass anchoring the timeless and irresistible melody that has come to define the riddim for generations of fans. First brought to the attention of UK dub fans by the mighty Jah Shaka , and originally recorded by a little known band from Battersea, Kunta Kinte has become a staple of dub music’s evolution, with its eponymous flute melody making numerous appearances over the decades in both underground and mainstream hits. For their 2017 edition, Dub-Stuy has brought three different vocalists from Jamaica and Europe to voice the riddim in a positive stance: Kingston legend Burro Banton preaches to the youth on ‘Nah Sell Out’; Rider Shafique, whose unique voice and delivery has been a hallmark of the Bristol scene for the past few years, travels Over The Oceans to celebrate the links between worldwide sound system fans; and finally France’s Shanti D takes a break from his work with OBF to bring it all together Inna Different Style.

With Kunta Kinte Riddim 2017, Dub-Stuy takes us on a journey through the history of a famed riddim, connecting both style and sound from past dub sessions to current dancefloors.

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