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ADS 02 Remixes de Om Unit, Yushh, Hodge, Amy Kisnorbo, Double O, Tapes, V.I.V.E.K, Dego Rankin, Versa, Frenk Dublin, Surgeon, Nadia Struiwigh

  • Label: Om Unit
  • Titre: Acid Dub Versions II
  • Référence: ADS 02 Remixes
  • Format: 2X12" LP
  • Pays: UK
  • Catégories: Bass dubstep grime,  Dub / ragga,  Electro / breaks, 
  • Style: Dub Techno, Ambient, Breaks, Dubstep
  • Poids: 0.24
  • Date de sortie: 30/10/2023
  • Ajouté le: 30/10/2023
  • Note moyenne:

31.62 € (TTC)

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ADS 02 Remixes Commentaire

Om Unit’s ‘Acid Dub Studies’ series continues to unfold. This latest instalment of the project comes in the form of 10 brand new remixes which form the second volume of ‘Acid Dub Versions’, featuring remixes from Yushh (Pressure Dome/Wisdom Teeth), Hodge (Houndstooth / Livity Sound), Double O (Rupture), Amy Kisnorbo (Pineapple), Tapes (Jahtari / Good Morning Tapes) V.I.V.E.K (System), Versa (System / ZamZam), Frenk Dublin (Echo Ltd. / Dub Communication), Surgeon’s Girl (Inside Out / Livity Sound) and Nadia Struiwigh (Nous’Klaer Audio / Central Processing Unit)

The eclectic ‘Acid Dub Versions II’ LP comprises of the smouldering cerebral scapes of Yushh’s take on ‘Camo’ as well as Hodge’s own pounding club version. Double O transforms the classic ‘Tempo’ rhythm into a kind of future-retro rave stepper, and Amy Kisnorbo walks the ‘Strange Brew’ track into a eased-back but confident new territory.

The dub aspects are also enforced and re-shaped by prolific legend ‘Tapes’ who turns the ‘Tempo’ back towards it’s more dancehall roots, V.I.V.E.K takes the Bristol Theme in to 140 territory featuring System Sound’s in-house MC Dego Ranks. Bristol’s own enigmatic dubwise adventurer Versa turns ‘Valium Tempo’ into something akin to a Cosmic Bridge release, paying homage to the classic tropes of the ‘UK Bass’ sound and Rotterdam’s Frenk Dublin turns in a seriously deep basic channel-esque dub tech take on ‘Ghosts’

The album is finished with 2 ambient cuts featuring the beautiful chaos of Surgeon’s Girl’s remix of ‘Tapped’ and the Dusky brooding reflective tones of Nadia Struiwigh’s version of ‘Electroacidspringwater’.

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